Are You Dissociating?

snow-anne:

goldenphoenixgirl:

Dissociating is one of the most common responses to abuse and trauma. It involves feeling numb, detached or unreal and (while it happens to everyone once in a while) is experienced more frequently and severely in survivors. Dissociating people vary widely in symptoms and may experience any or all of the things from the following list.

You may be dissociating if you:

  • find yourself staring at one spot, not thinking anything
  • feel completely numb
  • feel like you’re not really in your body, like you’re watching yourself in a movie.
  • feel suddenly lightheaded or dizzy
  • lose the plot of the show or conversation you were focused on
  • feel as if you’re not quite real, like you’re in a dream
  • feel like you’re floating 
  • suddenly feel like you’re not a part of the world around you
  • feel detached and far away from other people, who may seem mechanical or unreal to you
  • are very startled when someone/something gets your attention
  • completely forget what you were thinking just a moment ago
  • suddenly cover your face or react as if you’re about to be hurt for no reason
  • can’t remember important information about yourself, like your age or where you live
  • find yourself rocking back and forth
  • become very focused on a small or trivial object or event
  • find that voices, sounds or writing seem far away and you sometimes have trouble understanding them.
  • feel as if you’ve just experienced a flashback (perhaps rapidly) but you can’t remember anything about it.
  • perceive your body as foreign or not belonging to you

(likes and reblogs always taken as support)

suddenly cover your face or react as if you’re about to be hurt for no reason

Oh thank gosh I thought I was the only one!! Always been embarassed when it happens, but now at least I know it’s normal. Bless this post ❤

krauzer168:

chaosophia218:

Ancient Alphabets.

Thedan Script – used extensively by Gardnerian Witches
Runic Alphabets – they served for divinatory and ritual purposes, as well as the more practical use; there are three main types of Runes; Germanic, Scandinavian/Norse, and Anglo-Saxon and they each have any number of variations, depending on the region from which they originate 
Celtic and Pictish – early Celts and their priests, the Druids, had their own form of alphabet known as “Ogam Bethluisnion”, which was an extremely simple alphabet used more for carving into wood and stone, than for general writing, while Pictish artwork was later adopted by the Celts, especially throughout Ireland
Ceremonial Magick Alphabets – ”Passing the River”, ”Malachim” and ”Celestial” alphabets were used almost exclusively by ceremonial magicians

Germanic is basically where the Middle Earth dwarf alphabet comes from. Looks awesome.

An Open Letter to YA Authors About Sex

died-and-went-to-nightvale:

thepagesage:

“Dear YA Authors,

Please stop making sex hurt.

That’s a weird request, I know, so let me clarify what I mean a little. You know the (heterosexual) sex scenes in YA books (the ones that don’t fade to black) where it’s the girl’s first time and it goes something like this:

I felt a sharp pain and he paused. “Are you okay?” he asked. I gritted my teeth and nodded. Eventually the pain turned into something better… later, after we were finished, I saw a red stain on his sheets and cringed.

I’m not exactly going to win the Printz here, but you get the idea.”

Read the rest on The Page Sage.

This about a million times over. The sex ed I got was from the playground and books, and I bought into these sorts of myths for a very long time. It’s simply not healthy. YA authors (although their editors and publishers may have a greater role in this) have a responsibility to keep their work at a ‘teen’ rating because adults are scared that adult themes will have an adverse effect; surely they also have a responsibility to write accurately about the more mature themes for the same reason.

An Open Letter to YA Authors About Sex

Writing Realistic Injuries

writeworld:

(reblogged from lunarblue21)

by Leia Fee, with additions by Susannah Shepherd

Quick Contents

Introduction

Characters climbing cliffs with broken arms or getting knocked out for an hour or so and then running around like nothing happened, bug me.  It doesn’t take much longer to get it right, and I’ve found that getting doing the research to get it right can often lead to whole new story possibilities I hadn’t thought of before.

I’m not any sort of medical expert – research for this article has come from a variety of sources from medical texts to personal experience – (I’m just a teeny bit accident prone…)  I do historical reenactment and a large part of information here comes from the ‘traumatic injury’ (or ‘the nasty things that can happen to you in combat’ information we give the public and new members to make them go ‘urggh , I’m glad this isn’t for real’.

Read More →

Writing Realistic Injuries

couldhavebeenking:

There is no number five.

Helpful links

Seven Hidden Patterns of Successful Storyboards

Perspective in Storytelling

Guide to Panel Variation

Comic Lettering

Wally Wood’s 22 Panel Tips

Camera Angels Tutorial

The most important tip I could ever give towards drawing/creating good comics is to read comics. Good, bad, mediocre, read them all and learn from them.

Webcomics I love :: Nimona | Monsieur Charlatan | Hemlock | Prague Race | Lost Nightmare

41 Emotions as Expressed through Body Language

cassieisnotapie:

Found Here x

41 Emotions as Expressed through Body Language Unique 


This list, while exhausting, is soooo not exhaustive; it barely scratches the surface. And each entry could easily become cliché (if it isn’t already). But, it should be enough to get you started. Want more? Start watching people (not in a creepy way), and take notes of what they seem to do when expressing different emotions. Your repertoire of expression will double in no time. PS—do not use these for actual, real-life body language reading; you will fail. These are strictly novelistic.

Awed 
-Slack
-jawed, raised eyebrows, staring 
-Frozen, slack body language (Self? What self? There is only Zuul.
-Take a step back and put a hand to his heart

Amused 
-Smiling and throwing back her head laughing 
-Slapping her thighs, stamping her feet, clapping her hands 
-Shaking her head (That’s so wrong!)

Angry/Aggressive 
-Sharp movements, like shaking a fist, pointing, slashing, or slamming a fist on a table 
-Flushed face, patchy red blotches 
-Tension in neck—chords standing out, veins throbbing—and jutting or tucked chin 
-Arms akimbo, or clenching fists 
-Entering someone else’s space and forcing them out 
-Poofing up with a wide stance (I am big! Very big!), arms wide (Bring it!
-Lowered eyebrows, squinting eyes 
-Teeth bared, jaw clenched, snarling

Annoyed 
-Pressing lips together into a thin line 
-Narrowing eyes sometimes with slight head tilt (Why do you still exist?
-Rolling eyes, often paired with a long-suffering sigh

Anxious 
-Fidgeting, such as tearing grass into little pieces, playing with a ring, or chewing on a pencil 
-Biting lower lip, swallowing unnecessarily 
-Quickened breathing or holding breath 
-Darting eyes 
-Pallor, sweating, clammy palms 
-Unusually high-pitched, “nervous” laughter 
-Hunched shoulders 
-Pacing

Attentive 
-Slow head nodding with a furrowed brow 
-Leaning forward, toward the speaker, and sitting up 
-Taking notes 
-Looking over the top of her glasses

Bored 
-Resting his head on his palm, peeking out between the fingers, maybe even slipping so his head “accidentally” hits the table 
-Tapping toes, twirling pencil, doodling, and otherwise fidgeting 
-Staring out a window, or at anything remotely more interesting (Which is everything …)

Confident 
-Arms clasped behind body 
-Head lifted, chest out, standing tall 
-Walking briskly and making firm, precise movements

Confused 
-Tilting head with narrowed eyes 
-A furrowed brow 
-Shrugging

Contempt/Superiority 
-Lifted chin (The better to look down the nose.
-Pursed lips, sneering, slight frown 
-Circling a shoulder, stretching her neck, turning away—anything to indicate she doesn’t see the person as a threat or worthy of her attention 
-Grabbing her lapels, or tucking her thumbs in her waistcoat (See this clothing? It is much nicer than yours.
-Dismissive hand-waving

Cynical/Sarcastic/Bitter 
-Twisted lips or a half-smile 
-Sneering, sometimes with shaking the head and other defensive body language 
-Pressed lips with a slight frown 
-Eye rolling

Defensive 
-Crossed arms, legs, crossed anything, really (Well, maybe not fingers … or eyes …
-Arms out, palms forward (Stop!
-Placing anything (sword, shield, book, backpack) in front of her body

Disgusted 
-Crinkling his nose 
-Curling his lip and/or showing the tip of his tongue briefly 
-Flinching back and interposing a shoulder or turning away 
-Covering his nose, gagging, and squinting his eyes shut—hard—for a moment. (It assaults all the senses.)

Displeased 
-A plastered-on fake smile (You suck; but I can’t tell you that. So here: a fake smile! Enjoy.) 
-Pouting or frowning (I’ll cry if you don’t give me what I want—don’t test me, I will!
-Crossed arms and other defensive/frustrated body language (I will not let that terrible idea influence me!)

Distressed 
-Wide eyes and shallow, rapid breathing 
-Beating the walls, or huddling into a corner 
-Clasping hands over his head protectively 
-Rocking himself 
-Handwringing 
-Running his hands through his hair

Earnest/Passionate 
-Leaning forward, nodding, wide eyes with strong eye contact and raised eyebrows 
-Hand on heart, or presented palms-up, or otherwise visible 
-A double-handed handshake (really want to make sure you understand me!)

Embarrassment 
-Blushing 
-Stammering 
-Covering her face with her hands or bowing her head (I’m so embarrassed, I can’t look!
-Difficulty maintaining eye contact, looking down and away

Excited/Anticipation 
-Rubbing hands together (I can’t wait to get my hands on it!
-Licking lips (It’s so close I can taste it!
-A vigorous, pumping handshake (I can’t wait to get started!
-Jumping up and down (Look at me being literal here! I am jumping for joy.) 
-A wide and easy grin

Flirty 
-Eye play, like winking, looking up through the lashes, over the shoulder glances, and eye catching  
-Preening, like hair flipping or smooth, clothing straightening, spine straightening, etc. 
-Striking a cowboy pose, with his thumbs gripping his belt tight

Frustrated 
-Shaking his head (You are so wrong!
-Massaging temples (My brain—it hurts.) 
-Clasping his wrist in his opposite hand, behind his back (Bad arm! No biscuit.
-Running his hands through his hair (All this frustration is making my hair mussy. I can feel it.) 
-Grabbing onto something like armrests, or white-knuckled interdigitation (Restrain yourself!)

Happy 
-Smiling and laughing 
-Eyes and nose crinkling 
-Swinging her arms, spinning loosely, dancing, jumping

Impatience 
-Quick head nodding (Get on with it!
-Toe/finger tapping (Hear this? These are seconds. Wasted. Listening to you.
-Sighing, checking the clock/sundial/freckles (Time. It is moving so slowly.)

Jealous 
-Tight lips, or a sour expression 
-Narrow eyes locked on the perpetrator, to the point of a stare down 
-Crossed arms, and additional frustrated, angry, possessive, or bitter body language

Lying 
-Scratching their nose, ear, neck, miscellaneous part of face 
-Sudden change in behavior or demeanor, including shifty eye contact, lots of long blinking, shrugging
-Ill-timed smiles or laughter (This is how I normally smile, right? Right???
-Additional anxiety body language 
-Shaking head no while saying “yes” (I can’t believe I just lied.
-Licking lips, covering mouth, touching mouth, etc.

Overwhelmed 
-Both palms to forehead, fingers splayed (This gives me a headache.) 
-Covering eyes with one hand (If I can’t see the world, it can’t see me …
-Eyes wide and staring into space, hands gripping the table in front of her (… Woah.)

Playful/Friendly 
-Winking 
-Waggling eyebrows 
-Tiny shoves or nudge

Pleasure 
-Head tilted back, lips parted slightly, eyes wide or closed 
-Slow, languorous movements, stretching (such as arching her neck or back) 
-Slight flush, quickened breath and pulse

Possessive 
-Handshake with arm clasp 
-Putting hands on or around someone’s shoulders, neck, waist, back, or even just the wall near them 
-Standing in someone’s personal space, body positioned toward that person 
-Any one-sided act of intimacy, like running a knuckle down someone’s cheek 
-Staring down any who get too close

Proud/Dominant 
-Chin up, chest out, shoulders back 
-A painfully hard handshake that not only squishes the bones, but also forces his hand on top 
-Leaning back with his hands behind his head, and his feet up 
-Strong, unblinking, focused eye contact

Reluctance/Resistance 
-Arms crossed, sometimes with fists (Not happening.) 
-Dragging feet (But I don’t wanna!) 
-Pinching nose (You want me to do what now?) 
-Clamping hands over ears (La la la la!)

Sad/Upset 
-Droopy body (and anything held, like a sword), bowed in shoulders, wrapping arms around self 
-Slow movements with hesitation 
-Bottom lip jutting out and/or quivering 
-Crying, sobbing, body shaking, sniffling, wet eyes

Secretive 
-A tight-lipped smile (My lips are zipped.
-Hiding her hands in her pockets (What has it got in its nasty little pocket?) 
-Looking away

Scared 
-Hunched shoulders, shrinking back from others (Don’t hurt me!
-Wide eyes and lifted eyebrows (The better to see them coming.
-Shaking, trembling, or freezing 
-Rocking from side to side, sometimes holding self (It’ll all be okay, self, it’ll all be okay.)

Shame 
-Slumped shoulders (Don’t look at me.
-Trouble meeting your gaze, looking down and away 
-Burying her face in her hands or bowing her head (I can’t face the world right now.)

Shocked 
-Hands covering her mouth, or mouth hanging open, sometimes with a gasp (If I had words, I would be saying them.)
-Freezing and staring with wide eyes and eyebrows raised (Diverting all resources toward staring.) 
-Smacking a palm into his forehead (Clearly, my head isn’t working right, or I wouldn’t have seen that)

Shy 
-Avoids eye contact, or has only fleeting eye contact (Eye contact means you might speak to me.) 
-Keeps a fair distance from everyone, and will back away if someone steps closer (Space invaders!
-Folded arms, head down, and other defensive body language (If I make myself small, they can’t see me.)

Smug 
-Slight, close-lipped smile (occasionally one-sided) and sometimes one raised eyebrow (I know something you don’t know.
-Chin slightly tucked, Mona Lisa smile, raised eyebrows (I know better.) 
-Finger steepling (I am so smaaaht.)

Suspicious/Skeptical/Disbelief 
-Narrowed eyes, sometimes with a sidelong glance or raised eyebrow (Perhaps if I look at it out of the corner of my eye, I will catch it unawares.
-Rubbing his eyes (I can’t believe what I’m metaphorically or literally seeing!
-Shaking his head (I—I don’t believe it.
-Blowing out cheeks (Well , I don’t know …)

Tired 
-Rubbing his eyes, eyes staring into space, raised eyebrows (Raising my eyebrows helps keep my eyes open.
-Yawning and/or stretching (I am tired—see? Tired! Too tired to care!
-Almost nodding off and jerking awake (Cannot. Stay. Awa—snnnnurzzzz.) 
-Gritting teeth to stay awake (Cannot—yawn—dang it!)

Thoughtfulness/Thinking 
-Steepling fingers (I will think better if I center myself and focus.) 
-Pinching nose, sometimes with closed eyes (Focus, focus—I just need to focus.
-Tugging on an ear (This will help me remember!
-Stroking a real or imaginary beard (People with beards look smart.) 
-Furrowed brow, narrowed eyes, sometimes tilted head and pressing lips together (I can’t see it—I will try harder!
-Resting his chin on his hand (Thinking makes my head heavy.)

Triumphant 
-Hands clenched and held above head while grimacing (She is invincible!) 
-Head tilted back with a yell (She is fierce!
-Arm pumping in the air, jumping (Woohoo!)