Here you go buddy!!! I mean this is by no means a how-to, more just random tips that may be helpful to apply to your style! Also please bear in mind I massively over exaggerate butts and thighs and this may not be something you are into lmao
1. hates donald trump
2. got his ear pierced at claires because why not
3. legit asks people to beat him up in action scenes EVEN NOW AS AN OLD MAN
4. is arguably one of the most iconic star wars characters yet couldnt give less of a crap abt star wars
5. the universe tried to kill him (or at least permanently incapacitate him) twice in 2015 and it only mildly inconvenienced him
6. flies helicopters in search and rescue missions
7. was in his 40s for the majority of the indiana jones series which is insane when you think about all the stunts involved
8. quote “the director yells cut and harrison cracks open a beer and then builds a fucking shed”
9. arguably sexy
10. points angrily and its super effective
11. is just a really sweet person 12. no really my dad worked with him on firewall as the tech advisor and he was just a really swell guy 13. got my mom’s birth date from my dad and sent her flowers 14. he sent my mom flowers for her birthday 15. he didn’t even know her he just wanted to be sweet
this was a beautiful and necessary edition to this post thank you oh my god
When he was asked to be in Jimmy Kimmel’s “I’m Fucking Ben Affleck” video, in which he pulled up alongside them in a car and gave Jimmy a little wink and an air-kiss, when he showed up at the set he looked kind of put out. Kimmel was afraid he wasn’t down with what they were asking. But he just said, “I don’t know, this wardrobe…don’t you have anything mesh that I could wear?”
When he was filming “Witness” he rented a small farm from a friend of mine. At the end of the filming my friend went and checked out the property as usual. He noticed the barn door had been leveled so it no longer would swing open on it’s own. Went into the house and saw the closets had been redone, in the kitchen the cabinets had been replaced and all the drawers now opened really well. Turns out that there were thousands of dollars of work and materials put into fixing up everything at the place.
My friend called Ford and asked him how much he was asking for the work. Ford told him doing that kind of thing helped him relax and stay sane when he was filming. Would not take a dime. Plus he paid for a new water heater and got the sewage system cleaned out.
And he paid rent to live there the entire time.
Local Carpenter Stumbles Into Stardom, Worries This May Interfere With His Carpentry
My step sister was driving through Wyoming once, near Ford’s ranch. She stops for gas, and as she’s filling up, this huge motorcycle roars in behind her, scared the pants off her. The rider, dressed in all black steps off, and she yells at him “who do you think you are blasting in here like that, you Darth Vader looking motherfucker?”. He takes off the helmet, and it’s Harrison Ford, and without missing a beat he says
“Hey! I’m not Darth Vader, I’m Luke Skywalker”
From the co-production designer on The Force Awakens, Darren Gilford:
“The Millennium Falcon was the first thing we were actually building. I had been in London and I came home back to L.A. for Christmas. So I go to Sports Chalet to do some last-minute shopping; I get there early, run to the back of the store, get what I need. I’m coming back through the store, and I just happen to pass this person holding up a pair of ski pants, and it’s Harrison Ford. I look at him, he looks at me and puts his head right down. I can tell he doesn’t want to be bothered; I’m sure from the look on my face he knew I knew who he was.
So I walk past him, and after about 10 feet I think, ‘If there’s ever a time to say hello to Harrison Ford, I’m building the Millennium Falcon!’ So I turn around very hesitantly and go, ‘Harrison, I’m sorry to bother you. I’m co-production designer on the new Star Wars, I’m just back from London, and I’ve been building the Falcon.’ A big smile came across his face, he put his hand out, and we had such a great conversation — he couldn’t have been sweeter.
As I’m walking away, he goes, ‘Darren!’ and calls me back. He goes, ‘The toggle switches.’ I go, ‘Toggle switches.’ He goes, ‘The toggle switches on the Falcon. When they built it the first time, they bought cheap toggle switches without any springs in them. Every time I threw a toggle switch, it fell back; it wouldn’t hold. It drove me crazy. Please, make sure the toggle switches are fixed this time.’ I go, ‘No problem! I’ll take care of it!’
So months go by, I’m back in London, we’re getting close [to principal photography], and I get a phone call saying J.J.’s headed down to check out the cockpit, and Harrison’s with him. I run down there and I see J.J. in the passenger seat and Harrison in the pilot seat. They’re just giddy; they’re having so much fun. And then I see Harrison look up, and he just starts throwing all the toggle switches: boom, boom, boom, boom. [Laughs.] And I remember thinking, ‘Phew, minor victory. Take solace in that and move on. Next task.’ That’s my favorite story.”
HARRISON FORD SMILES WHEN MEETING CREW MEMBERS AND IS A NERD FOR FUNCTIONING PRODUCTION DESIGN
Don’t forget about his Halloween costumes
Harrison ford is a chaotic-good-aligned cryptid, confirmed
”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”
#me @ quentin tarantino fans
Mad Max: Fury Road and practically every film JJ Abrams has ever made including The Force Awakens.
Mad Max: Fury Road was edited by Margaret Sixel, who is married to George Miller and who he begged to edit the film because he said that if a man edited it, would be a totally different movie and not one he wanted to make.
Maryann Brandon and Mary Jo Markey edited The Force Awakens. Maryann Brandon has worked on almost all of the shows and films Abrams has worked on and Mary Jo Markey is also a frequent collaborator.
Thelma Colbert Schoonmaker has edited all of Martin Scorcese’s films since Raging Bull and worked with him for around 40 years.
Sally Menke edited all of Quentin Tarantino’s films until her tragic death in 2010.
Julia Bloch is an editor gaining attention for her work on Blue Ruin and Green Room.
about 40% of Hollywood editors are women. when discussing how these women are underrepresented, you need to give their names.
OKAY SO! @biazerod asked me a little help on storyboarding and i decided to make this tutorial…i’m not a professionist. so don’t take these as golden rules…just advices! and as always sorry for the english
FIRST THING FIRST! the storyboard part is the most important phase in a comic page ! you can spend an entire day storyboarding! because it’s the structure, the essence of the page! here’s some tips : 1- a page can start from 1 panel/frame (called splash page!) until how many f*cking panels you can fit ! (some pages , especially in french comics/bd can reach 24 panels/frames!) Exaple of splash pages:
(these are from the green lantern,DC and the newest Thor ,marvel ) Splash pages are a priority of American comics, you rarely can find them in french Bd ! they represent a scene of impact! a fight! a revelation! be careful! use it only one if two times on a range of 50 pages! cuz it cut the narration! instead in french bd you find this :
first one is from Blacksad 2# and second one is from Atar Gull see how high the number of the frames is??
the number of frames is very important in a page because it decide the narration time! 😀 also it all depends on the kind of ‘’direction’’ you want to use on your comic! so be really careful when you decide the number of the frame! LET’S PASS ON THE CREATION!
1- when you have a page that contains more than 3 Frames ALWAYS. ALWAYS HAVE AN ESTABLISHING SHOT!
the establishing shot is fundamental! BECAUSE READERS CAN UNDERSTAND WHERE THE CHARACTERS ARE!
DON’T DO A COMIC PAGE FULL OF FACES !
DON’T DO THIS! LET THE CHARACTER BREATH! LET THE READER BREATH! PLAY WITH YOUR CAMERA! YOU HAVE THE POWER! in a comic page, is important to put the camera far away from the character most of the time! play with the different shots!
(found this on google) WATCH MOVIES AND TV SHOWS. lot of them can help you so much you have no idea! a comic artist and a director do the same job when creating a story
2- Candy eye this is a tricky trick that can help you with the audience! when a character is saying something important or you have to introduce them , USE THE CANDY EYE DUDE.
the candy eye is , basically, a bust shot where you show the character,their features , usually with a cool or a funny expression ( or of course it depends from the situation) and believe me WORKS 10/10 with the audience 😉
3- HIGHLIGHTS THE IMPORTANT SCENE IN THE PAGE!
FINAL TIPS: – when you’re doing dinamic poses try and try again! the first one isn’t always the best! -USE REFERENCES. –A STORYBOARD PAGE CAN REQUIRE EVEN 4 HRS IF NOT AN ENTIRE DAY IF NOT AN ENTIRE WEEK. REMEMBER THAT THE STORYBOARD IS THE ESSENCE. AND THE REST IS DECORATION. – IMAGINE THE SEQUENCE! NOT THE SINGLE PAGES. THINK IN SEQUENCES! imagine what would happen after the page you are creating! connect the various pages NOT THE SINGLES FRAMES ! YOU’RE CREATING A STORY! NOT A SINGLE ILLUSTRATION! -AGAIN DON’T DO PAGE OF FACES. most important thing:
if the page you’re creating it stresses you! STOP. continue it when you are in a better mood ,dude. our job requires lot of time and effort, but it should be the job we love. so don’t stress yourself and keep calm.
hope this is useful. don’t take this as golden rules, this is just the way i work 🙂
lav3nderwolftumblr 
You must be logged in to post a comment.