deoxyrebornicleic:

if you’re scared about making a character because you’re afraid that they’ll be mary sues

dont care

just do it

you wanna make them super powerful and stuff, whatever do it

look at one punch man

look at demon asriel dreemurr

just make your mary sue character just fucking pour all of your heart’s desires into your character who gives a shit, the police isn’t gonna barge through your door and put a gun to your head for making a mary sue character

you dont have to stress yourself out like me and give your characters in depth things and flaws and all that, just do whatever the fuck you want to your characters

your characters

your characters

your


characters

reasons why ace/aro representation is really fucking important in the media

musings-of-a-monster:

dantiloquent:

  • aro/ace kids getting into relationships in high school just so they can say they’re in a relationship and feel “normal”
  • aro/ace people doubting themselves because they don’t feel attraction
  • aro/ace spectrum people doubting themselves because they do feel attraction, just not all the time/not the “right” kind
  • sherlock is said to be asexual for a purpose, not because he doesn’t have a sex drive, but because it’s suppressed to do his work.” 
  • people thinking sexual attraction and sex drive are the same thing
  • not only do people think asexuality is to do with plants, some think asexuality refers to sea horses. SEA HORSES.
  • the lack of a dictionary definition means there’s no proof for aro/ace people to use to back themselves up
  • “you just haven’t met The One yet”
  • films, tv shows and books turning what could be a great platonic relationship into an unnecessary, bland romantic relationship
  • people using aromanticism/asexuality as an angst trope
  • asexuals and aromantics can be in denial about their sexual/romantic orientation for months
  • canon asexual characters are the stone cold villains and the few asexual celebrities out there have their asexuality ignored and erased
  • not a day goes by when i don’t doubt myself or my sexuality
  • having no well-known asexuals/aromantics makes it really fucking lonely

^Yes, this, also

  • asexuals and aromantics (including, of course, those on the spectrum(s) ) can be in denial about their orientation(s) for years
  • Aros/aces will try to “fix” themselves because “how do you know if you’ve never tried it?”
  • What few aro/ace characters their are might “grow up” or (gag) “get in touch with their humanity” and magically metamorphose into allos which is a toxic message to send aros/aces

neutroisenjolras:

if you ever try to befriend me and you expect to be in frequent contact with me i am so sorry. i do that with maybe two people and even then i often go days or weeks without saying anything before talking daily for a while. 

the point is if we dont talk that doesnt mean i dont like u and think about u a lot im just terrible at maintaining close relationships

itsfinemom:

caelestys:

Dear Baby Boomer Generation:

You know, we try really hard not to hate you. Really hard. You’re my parents’ generation, you know? And I fucking love my parents.

But your generation really needs to learn to shut up and take a good, hard look at yourselves.

Today, I tried to get advice in a civil, polite and educated manner about a situation in which one is trying to juggle work and uni. I wanted to know how one could navigate the narrow criteria to qualify for youth payments from the government. And while some people were helpful, some were outright disgusting. All they could say is “KIDS THESE DAYS ARE SO SELFISH/LAZY/ETC MAYBE YOU SHOULD SPEND LESS TIME ON YOUR SOCIAL LIFE.”

Okay, firstly–if I ask you for advice and that is your response, which, by the way, I CAN DO ABSOLUTELY NOTHING WITH, how about you shut the fuck up?

Secondly, are you seriously fucking saying that every single person in my generation doesn’t work hard? You’re saying that to me? I’m a DIRECTOR at the age of 24 in an organisation with over 200 employees. I have two degrees. I work, intern, study, and volunteer, and the first thing that gets put aside when I’m busy is my social life. And you know what that results in? A FUCKING LOT OF CRYING AND PANICKING AND PSYCHOLOGIST APPOINTMENTS. I have a great resume and references, but do you know how much I paid for that in terms of my own fucking sanity?? A FEW FUCKING THOUSAND DOLLARS IN TEARS, THANK YOU.

Thirdly, let’s talk about how the average burn-out rate in my youth organisation is 7 months. 7 months, and these are kids who volunteer, as well as study at uni or school, work and pay their own rent, utilities and bills, and are under the age of 22, in most cases.

My 21 year old director messaged me today to tell me she wasn’t coming in because had a mental break and panic attack last night, and she’s only been in the role for 3 months.

My 24 year old best friend had a nervous breakdown last month because of the stress of her workload, working full time at EY and studying 1 unit of uni.

My 25 year old ex-boyfriend and I split up because he didn’t have the time or mental capacity for a long distance relationship on top of his 60 hour graduate working week in construction management and 2 units of uni.

I had a meltdown last year at 23 because I was handling full time uni, and internship and volunteering. I can’t get a job despite testing within the top 15th percentile of graduates because you’re not creating them.

I went for a meeting at one of the biggest financial management organisations in Australia the other day and was told that the 9-5 job was a lie, that you’re expected to work more, and not be paid for overtime.

Our generation works our fucking asses off. You take advantage of us all the fucking time. We’re the first generation to be less wealthy than our parents because you guys fucked off with the economic boom of the early 2000s and left us with nothing. By 24-34, we’re only 48% likely to own our own homes compared to your 61%, because of your unsustainable housing market boom. On that note, did I mention that although average wage has rise by 27%, average housing prices have risen by 121%? Yep. My parents bought my house for ~$200,000 in 1990. In 2015, it’s valued at $750,000. Also, you are now making us pay for our university degrees when you got them for free, and not only that, but according to the Governments’ changes in tax law and war on universities in the past year, it will now take us twice as long to pay off our university debts. We’re the first generation of tertiary-educated Australians in history who will start work already in debt because of our university degrees.

Your generation is the one that has been labelled as the ones with the obsession with “instant gratification, a tendency for poor planning, and a sense of materialism”.  We’re the offspring of you, the most divorced generation in history. 

You hate us, but we’re a generation who grew up with war, with terrorism, with fear and conflict and murder and the aftereffects of capitalist bloodshed on our screens every day. We’re watching society fall down around our ears. My International Security professor told us last year that there will be kids entering high school soon who have never seen a year of peace in their lives.

We’re the ones who have been saddled with the mistakes you’ve made. We’re the ones who are holding on to each other despite our differences and telling each other it’s okay to be who we are, whether we’re gay or straight or black or white. Who are trying to save the environment, who are trying to solve your wars and find homes for the asylum seekers you’ve created, who are trying to cure poverty and wage inequality and food distribution, who run your social impact teams, who volunteer, who study courses that are going to change the world, who give back to society, who travel, all the while building our character strengths and portfolios so that we fit into the dumb as fuck capitalist world you made – and all you can say is that we’re lazy?

FUCK you.

This is super relevant to america too. Fuck the baby boomers,

nobody speaks indian

llapingacho:

official-roti:

bollyhoodqueen:

dhivyanotdivya:

stardusted:

maybe you meant

This is so important.

YAAAAAAAAAAAAAAAAAAS!

Garhwali

Reblogs this x1000 to try to get rid of cultural ignorance when it comes to this. Because breaking down Indian stereotypes in particular is incredibly important to me for many reasons.

coffeeandpunkmusic:

miss-elsaba:

hey-look-a-hufflepuff:

les-etoiles-de-la-boxe:

pancakereport:

cinder-ember:

sammywhatammy:

redheadeddisneyfreak:

sheriffwxy:

totalspiffage:

soulpunchftw:

agatharights:

musicofthestage:

crutchiee:

tbbackus:

lucasbieneke:

Apparently my director went to see a production of West Side Story a few years ago, and the guy playing Chino forgot his gun before coming out for his final scene. Once it got to the big scene where he is supposed to shoot Tony, he screeched “Poison Boots” and kicked the actor playing Tony until he went down. The girl playing Maria then had to jerk the shoe off of Chino’s foot, and had to do the gunshot scene asking “How many kicks Chino? How many kicks, and one kick left for me”. 

There should be a blog dedicated to theatrical urban legends. Like that opening weekend of Dracula where Dracula (still hungover) vomited all over the audience during the first stage direction that everyone has a friend of a friend that worked on the show and was there.

or the one where the bridge never came out for Javert’s suicide and so he just pretended to stab himself and then lay there until the lights went out

best story i heard was when a friend of mine saw a show where juliet forgot to bring the dagger out on stage so she just ripped the squib out of her chest and blood squirted everywhere

During a passion play a friend of my brother was supposedly in, one of the roman soldiers who was supposed to stab jesus on the cross and accidentally grabbed the wrong spear- he was supposed to grab one with a fake tip, but instead he grabbed one with an actual metal tip and, well

Jesus screamed “JESUS CHRIST YOU STABBED ME”.

Since that Jesus had to be taken down due to a bad case of stab-itis, the backup Jesus came in, but he weighed significantly less than the original Jesus- which would have been fine, except that at the end the cross was supposed to ascend upwards with Jesus on it, and the weights hadn’t been adjusted.

So Jesus, instead, ROCKETED UP into heaven (or, just, above the stage).

This is wild from start to finish

I was in Peter Pan once and one night at a performance, the adhesive holding our Hook’s mustache on was wearing off. It was near the end with a big fight scene and when he got attacked, he let his mustache fall and went “YOU RIPPED MY MUSTACHE OFF!” in a scandalized tone and it added a new note of hilarity to the whole scene (which was supposed to be funny anyway)

In my seventh grade play, which was a midsummer night’s dream, Thisbe didn’t have a sword so she stabbed herself with a coathanger

My junior year we were doing Romeo and Juliet and after Juliet poisons herself it was supposed to go dark and she’d get off the stage. well the light crew accidentally turned them back on and Juliet who was sitting up slammed back down on the wooden bed with a loud bang. To which my theater teacher says into the com “zombie Juliet” and everyone who heard that had to keep as quiet as possible while our eyes were filling with tears.

i attended my county’s performing arts high school majoring in vocal studies, (mostly geared towards musical theater and opera styles) and once a year we got a field trip to new york (we were in jersey, so it’s not exactly far). we would do one touristy thing, an actor’s workshop with friends of our teachers working in various performing industries in nyc, and then see a show. 

my first year doing this, our industry contacts were 1 actor, 1 casting director, and 1 producer to get different aspects of the business, and they all gave us amazing advice and told fantastic stories. the actor in question was Zazu on Broadway’s The Lion King for several years, and told the best story by far.

in The Lion King, there are only two pieces of pre-recorded noise in the whole show. one, when Pumbaa does a MASSIVE fart while fighting the hyenas, and the other being Mufasa saying REMEMBERRRRRR as Simba climbs Pride Rock. the actor told us while struggling not to laugh that, during one night’s performance, someone forgot to flip the tape of these pre-recorded noises.

so, at the end of the show, the great climax where Simba finally accepts his place in the Circle of Life, the heavens parted and-

PFFFFFFFFFRRRRRBTFTBTBFTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

everyone froze. and then all ran off stage positively HOWLING with laughter.

the lesson: sometimes there are fuck ups you just can’t recover from.

During a high school production of Beauty and the Beast, where I was assistant costumer and assistant prop master, our director decided that we needed to spice up Gaston’s introduction. You know: in the movie, when Lefou runs in trying to catch the duck/goose that Gaston has just shot out of the sky?

Originally, the actors were going to stroll on stage with our Lefou hauling in the really neat (and real!) taxidermied deer head that we had found in a local thrift store. Now, two days before opening night, our director wants Lefou to run in from off stage and catch a stuffed duck that Gaston has just shot. This, of course, requires two things to work properly as a scene: a gunshot noise, and a stuffed duck.

The gunshot noise, we had covered. Blue-collar, redneck school? Guns a plenty to record. The stuffed duck? Harder than you might have thought to obtain.

Three hunting stores, two taxidermists, and one Pet Supply Store ™, I’d finally found a semi-realistic pheasant squeaky toy. What follows is an account of the ways this dog toy managed to be the nightmare prop of the six show run.

Opening Night: The stagehand, who was supposed to drop the bird from the ceiling catwalk, missed his cue and didn’t drop the it. Lefou’s actor rolls with it and does an excellent job of looking around foolishly before getting cuffed upside the head by Gaston. The stagehand then drops the bird squarely on Gaston’s head. Cue laughter.

Saturday Matinee: Different stagehand throws the bird instead of dropping it and beans Lefou directly in the face with the prop. Lefou falls over. Cue laughter.

Saturday Night: Bird is missing during curtain call. Director hauls the deer head down from it’s place on the tavern wall and tells Gaston and Lefou to revert to the old blocking i.e. no gunshot, no bird, just walk in with trophy. During Gaston and Lefou’s conversation, gun shot sound goes off and a stagehand throws the bird onto the stage…from the wrong side of the stage. Lefou and Gaston stare at it in awkward silence for a solid thirty seconds before Lefou makes off-script, subtle joke about Gaston’s gun going off late instead of early. Cue adults in the audience laughing.

Sunday Matinee: Director begs the stagehands to get the cue right at least once. Gunshot and bird prop go off without a hitch. Lefou accidentally catches the prop when it falls from the catwalk. He’s so startled that he caught it that Gaston runs right in to him. They drop both the gun and the bird props, and grab the wrong prop in their scramble. Gaston spends the rest of the scene gesturing dramatically with a stuffed pheasant, instead of a gun.

Sunday Night: 

Director is fed up with bird prop, decides that Lefou should just carry bird prop in after gunshot happens off stage. Lefou accidentally squeezes the prop during the intro conversation, startling both actors into silence with the squeaky toy noise – apparently, neither of them realized it was a dog toy.

Monday Elementary School Show: Lefou walks on stage with the bird. Accidentally drops the prop during conversation with Gaston. Gaston doesn’t notice the dropped prop and steps on it. Cue depressingly sad squeaky toy noise. Cue ten years olds laughing.

In a dress rehearsal for Peter Pan, Wendy forgot one of her lines and started singing the star spangled banner and the audience was singing along and people got emotional

Once during the closing night of our high school production of south pacific, we were havin our pre-show pep talk, and our director reminded everyone (mostly seniors) not to go off script to try to be funny. Of course we had one lead who decided to ignore this advice. So during one scene where the sailors were “fishing” at the edge of the stage, he decides to pull up his rubber fish, make a comment about how it wasn’t big enough, and throw it back into the “ocean”, which of course, was the audience.
Now, this probably wouldn’t have been too much of a problem if he had gently tossed it, since it would have landed right behind the pit. But naturalt, he decided that this fish had to break free in the most dramatic way possible, so he winds up and chucks this fucking foot-long rubber fish with all of his strength.
So now imagine the stage crew, all of us huddled together, silently screaming as this limp fish goes sailing over the heads of the audience in what looks like a low-budget reenactment of free willy, only to slap some poor parent across the face.
I swear, you could almost hear the chorus of “mmmm whatcha saaayyy” rising from all those backstage.
From that moment on, all rubber fish were ferociously guarded by yours truly, under the direction of our stage manager.

This post gets better every time it shows up on my dash

My Junior year of high school our drama club put on Peter Pan,which involved the construction of a small boat fashioned out of scrap wood,plaster and an old wagon. A few of the actors who were cast as pirates had to ride the boat-wagon down the aisle to the front of the theatre,which had a concrete floor that sloped. About halfway down the brake they were using to control their speed gave out,and they crashed into the front of the stage at high speed.The entire boat imploded. The actors just sat there in silence for at least a full 10 seconds in the midst of the wreckage before my friend Adena screamed “ABANDON SHIP” and they all jumped out and took off running.

My school once did a parody of Cinderella and I was Cinderellas dog. At one point Cinderella, the Fairy Godmother, and the dog had to flea the ball. I thought going down the stage steps wasn’t dramatic enough for “fleeing” so I launched myself off the stage and landed painfully in the center isle about three rows in accompanied with a very, very loud thump of face on concrete where I laid there like a dead fish for a while. At this point Cinderella and the Fairy Godmother got to me, not knowing what to do they stepped over me and continued running. But Cinderella had forgotten to loose her shoe so half way out of the room she chucked it back where it hit me in the head. I bolted upright and ran shrieking hysterically out of the room. A moment later the Prince came down to where the shoe was picked it up, looked dramatically at where I had exited and said “I hope that dog’s okay.” completely forgetting his line.